que NO te cuentan
antes de casarte
5 COSAS
POR UNA FOTÓGRAFA CON LA QUE SU NOVIO
NO SE QUIERE CASAR. EJEM. EJEM.
HE DICHO YA EJEM?
MY STYLE IS CINEMATOGRAPHIC
When I shoot, I always have two things in mind: the wedding narrative and respecting the original lighting conditions.
When working with images on the computer, I like to emulate the texture and colors of analog films.
MY STYLE IS CINEMATOGRAPHIC
When I shoot, I always have two things in mind: the wedding narrative and respecting the original lighting conditions.
When working with images on the computer, I like to emulate the texture and colors of analog films.
MY STYLE IS CINEMATOGRAPHIC
When I shoot, I always have two things in mind: the wedding narrative and respecting the original lighting conditions.
When working with images on the computer, I like to emulate the texture and colors of analog films.
MY STYLE IS CINEMATOGRAPHIC
When I shoot, I always have two things in mind: the wedding narrative and respecting the original lighting conditions.
When working with images on the computer, I like to emulate the texture and colors of analog films.
MY STYLE IS CINEMATOGRAPHIC
When I shoot, I always have two things in mind: the wedding narrative and respecting the original lighting conditions.
When working with images on the computer, I like to emulate the texture and colors of analog films.
never never never miss the aperitif!
I put Vigo Mortensen as a witness that a couple is never going to miss the aperitif for having a mega session of posing with me. Niet!
Yes or yes, I am going to take 10 minutes from under the stones to make you some couple portraits: 10 minutes. And I will try to make it at sunset, when you are already eaten at tomorrow's weddings or while your people sit down to dinner at those in the afternoon.
Mi propuesta es que, para los retratos de pareja, aprovechemos los tiempos de "transición"
Sin saliros de la boda, ni perderos nada.
¿ Parece razonable, no? :)